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・ François Bondy
・ François Bonivard
・ François Bonlieu
・ François Bonnardel
・ François Bonneau
・ François Bonnemer
・ François Bonnet
・ François Bonnet (canoeist)
・ François Bonnet (cyclist)
・ François Bontemps
・ François Bonvin
・ François Borde
・ François Bordes
・ François Borne
・ François Bouchard
François Boucher
・ François Boucher (violinist)
・ François Bouchet
・ François Bouchot
・ François Boucq
・ François Bouffier
・ François Bourassa
・ François Bourassa (musician)
・ François Bourbotte
・ François Bourdon
・ François Bourdoncle
・ François Bourgade
・ François Bourgeon
・ François Bourgoing
・ François Bourgoing (Dominican)


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François Boucher : ウィキペディア英語版
François Boucher

François Boucher (; 29 September 1703 – 30 May 1770) was a French painter in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. He also painted several portraits of his patroness, Madame de Pompadour.
==Life==

A native of Paris, Boucher was the son of a minor painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.〔"François Boucher", ''Oxford Art Online''〕 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the Académie royale de peinture et de sculpture.〔 On his return from studying in Italy he was admitted to the refounded Académie de peinture et de sculpture on 24 November 1731.〔Levey, Michael. (1993) ''Painting and sculpture in France 1700-1789''. New Haven: Yale University Press, p. 164. ISBN 0300064942〕 His ''morceau de réception'' (reception piece) was his ''Rinaldo and Armida'' of 1734.〔
Boucher became a faculty member in 1734 and his career accelerated from this point as he was promoted Professor then Rector of the Academy, becoming inspector at the Royal Gobelins Manufactory and finally ''Premier Peintre du Roi'' (First Painter of the King) in 1765.
Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: "Boucher is one of those men who represent the taste of a century, who express, personify and embody it."
Boucher is famous for saying that nature is "trop verte et mal éclairée" (too green and badly lit).〔 p. 86 (citing a letter to Nicolas Lancret).〕
Boucher was associated with the gemstone engraver Jacques Guay, whom he taught to draw. Later Boucher made a series of drawings of works by Guay which Madame de Pompadour then engraved and distributed as a handsomely bound volume to favored courtiers.
The neoclassical painter Jacques-Louis David began his painting instruction under Boucher.

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